Dec 032013
 
Courtney Trouble Releases Girl Pile: An Unscripted Lesbian Orgy on DVDNominated for a 2014 AVN Award for best Web Premiere, Girl Pile is presented un-edited to offer unique, gonzo, feminist take on classic girl/girl porn.TROUBLEfilms has released Girl Pile: An Unscripted Lesbian Orgy today, a new lesbian production by esteemed queer femme adult film maker Courtney Trouble.

Immediately following it’s release, AVN Mahazine announced Girl Pile as a nominee for best Web Premiere, making this DVD release even more highly anticipated!

2013’s AVN Award Winner for Best Girl/Girl Scene Sinn Sage stars in Girl Pile alongside 2014 Unsung Starlet nominee Arabelle Raphael, Tori Lux, and AVN’s Best New Starlet Fan Favorite nominee Nikki Hearts.

“A lot of viewers have their doubts about the classic, uber-feminine girl/girl style of lesbian porn, assuming that much of it is fake or that the performers don’t know (or enjoy) what they are doing. Girl Pile shatters that stereotype by letting the shooting process be a transparent element of the film,” says a TROUBLEfilms representative when asked about the gonzo style in which Girl Pile was filmed. “By letting you see every second of the sex that happened on set, Courtney Trouble proves that lesbian porn can be feminine, flirty, hardcore, and authentic.”

Courtney Trouble says of the film: “You don’t have to sacrifice explicitness or hardcore hotness to make a truly woman-friendly, lesbian-friendly adult film. I think that all kinds of porn watchers will get something good out of Girl Pile. It’s unbelievably sexy. The chemistry between these women is undeniable.”

GIRL PILE is presented unscripted, unedited, unrehearsed, and untouched so you can see through Trouble’s signature hardcore HD camera work, that these women are madly attracted to each other, super excited to be fucking each other, and will do anything to get each other off. There’s NOTHING formulaic about this lesbian porn film.

Contact TROUBLEfilms at info@troublefilms.com or order wholesale online directly at http://troublefilms.com/ordering-information/

Girl Pile premiered online exclusively at QueerPorn.TV in October, with VOD access through AEBN, PinkLabel.TV, GameLink, HotMovies, and RealQueerPorn.Com following shortly after.

Fleshbot was on set for the filming of Girl Pile, and Rae Threat was the on-set photographer, catching many cute and candid shots of Courtney and the porn stars working hard on this film.

We are the exclusive distributor of TROUBLEfilms releases, and ordering wholesale DVDs from TROUBLEfilms is as simple as this:

Fill out our easy Wholesale DVD Ordering Form online
if it’s your first time, or when re-ordering. You can also send us a PO to info (at) troublefilms.com
Orders of 20 or more DVDs will receive an automatic 10% discount. Got questions? Just E-Mail us! info (at) troublefilms.com

HERE’S OUR CURRENT DISTRIBUTION CATALOG AND PRICE LIST

Oct 282013
 

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The first time I met Carlos Batts was on the set of one of my movies. He arrived with April, who I was shooting that day in a scene with Claire Adams. My first thought was, “Oh my God that’s Carlos Fucking Batts.” He completely disarmed me by introducing himself (as if I didn’t know who he was!) and giving me copies of some of his movies. Our first meeting represents a lot about Carlos: he was humble, generous, and real.

Carlos refused to play by anyone’s rules, blending art and porn with his own unique style. His vision was his, it impressed me, left me in awe of what he could do with a camera. You’d think that someone who considered their porn ‘art’ would be annoying as hell, but it was the opposite. Carlos didn’t have an ounce of pretension, he was one of the most honest and straightforward people I’ve ever known. He was just so fucking real. His imagination was beyond comprehension, but he never fell into that trap of considering himself an artiste, someone above everyone else. On the contrary, he was often quiet and let the art speak for itself.

I distinctly remember this conversation we had where he said he didn’t know where he fit into the feminist porn movement. He always thought of art as activism, but he wanted to be respectful and was especially wary of taking up space as a guy in this growing revolution. His self-awareness was really refreshing especially given some of the examples of misogynist masculinity I’ve met in the porn industry. His idea of what it meant to be a man gave me pause and hope. We had this amazing discussion where he talked about what he believed, what he valued, and how he could claim the label ‘feminist.’ He didn’t want to say it until he was clear about what it meant to him and what he could bring to the party. He was beginning to shape and articulate how the art he was creating could be specifically feminist, and it was pretty cool to be in on that process. He thanked me later for helping him talk it through, but what he didn’t realize is that our talk was just as enlightening for me. It made me more aware of my own place in the movement as a white woman who identifies as a feminist. That was Carlos: he pushed me to look at my privilege simply by his openness and willingness to talk about his struggles and beliefs. He gave me gifts like that a lot. He wasn’t always the loudest voice in the room, but when he opened his mouth, it was clear how fierce and brave he was about challenging the status quo.

Before the release of the book Fat Girl, we had a really long phone conversation. We talked about what the book meant to him. He wanted to get my advice about promotion, and I drafted a version of the press release for him. I wrote this line that he ended up using: “Fat Girl provides a glimpse into a world where sex, love, and art collide.” When I saw Fat Girl, what struck me was how it was clearly a book about love, the love he and April shared. You need only spend ten minutes with the two of them to see what a remarkable partnership they had: their mutual love and support was unconditional, their passion for creating art together was inspiring. They glowed in each other’s presence, their energy bouncing off one another like lightening. They were one of those couples that’s just so clearly two people meant to be together. Their love, and the deep respect they had for one another, was clear in every interaction I ever had with them. It’s a kind of love people write songs about. It was pretty fucking epic.

Colten and I just saw Carlos and April at CatalystCon West in LA a few weeks ago. After a panel that April and I were on, we went to dinner with a small group of people. April told a funny story about flipping her hair during sex when Carlos had the camera out; it was a glimpse into a moment in their relationship. On the walk back to the hotel, Carlos gave me a copy of Fat Girl. I remember that I wanted both of them to sign it, but there wasn’t time. I knew I’d see them again soon. It breaks my heart that I will never see him again.

Ultimately, the greatest gift that Carlos gave me is that whenever I was with him, I felt like he really saw and understood me. That speaks directly to why he was such a gifted photographer and filmmaker: how he saw, what he saw, and what he reflected back to you was magical. Carlos made me believe in art and revolution and love. He helped me see the connections between them, how they feed each other. I feel so lucky to have known him and so glad that we have his art to treasure as we grieve the loss of him. He gave us all so many gifts, leaving an indelible mark on independent, alt, queer, underground, and feminist porn and art, as well as the artists who work and create in these countercultural worlds. We can honor his spirit by loving people fiercely and making art that matters.

There are some wonderful remembrances of Carlos online, including an updated article with quotes from lots of different people on AVN, a post from Courtney Trouble, a blog s at Good Vibrations, and thoughts from his wife, muse, and now widow April Flores. I encourage everyone to donate whatever they can to his memorial fund. Here is information about funeral services and the fund:

Beloved artist Carlos Batts passed away at the age of 40 on Tuesday October 22, 2013. His work and spirit touched many of us, leaving us stunned and saddened by the sudden departure. He is survived by his loving wife and muse, April—now grieving while confronting tremendous medical and funeral expenses.

Please consider donating to the Carlos Batts Memorial Fund to aid his widow and family in their time of need: You can donate via PayPal to email: CarlosBattsMemorialFund@gmail.com.

Carlos Batts Service Information

Oct 222013
 

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Good for Her, Tristan Taormino, and The Mark S. Bonham Centre for Sexual Diversity Studies announced the dates and submission deadlines today for The 2014 Feminist Porn Awards and The 2nd Annual Feminist Porn Conference.

The 9th Annual Feminist Porn Awards will be held April 3 and 4, 2014 in Toronto. The events include a screening of nominated films with directors, producers, and performers in attendance as well as the Feminist Porn Awards Gala at the Capitol Theatre. The Awards have been celebrating diverse sexuality, desire, and ethically produced porn since 2006. They offer audiences an alternative to mainstream porn and access to provocative sexy films that are sometimes not available to a wider audience.

“We’re very excited about receiving this year’s submissions. Every year we have an even more diverse group of films by people of all sexes, genders, bodies and desires to share with our growing audience. We look forward to seeing what expanded feminist expressions of porn look like on screen, and seeing more locally produced films,” says Carlyle Jansen, founder of Good for Her and The Feminist Porn Awards. The deadline for submissions to the Feminist Porn Awards is January 17, 2014.

The 2nd Annual Feminist Porn Conference will take place April 5 and 6, 2014, at the University of Toronto. The deadline to submit presentation proposals is December 23, 2013. The Feminist Porn Conference brings together academics, students, cultural critics, sex workers, activists, fans, performers, directors, and producers to explore the intersections between feminism and pornography as well as feminist porn as a genre, industry, and movement. The conference includes sessions devoted to both academic and non-academic presentations, film screenings, a keynote talk, and networking time. In addition, this year there will be a business track featuring workshops on production and filmmaking, legal issues, marketing and branding, social media, affiliate programs, and web-based technologies.

“I’m thrilled to return to the University of Toronto for the conference. Last year’s event exceeded all my expectations, and I look forward to expanding to two days of programming this year,” says Tristan Taormino, founder and producer of The Feminist Porn Conference. “Plus, with generous support from The Mark S. Bonham Centre for Sexual Diversity Studies, we were able to move to a fully accessible building on campus.”

Oct 212013
 

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The fabulous students who work at the Pollock Theater at University of California-Santa Barbara created this video of the Feminist Porn Mini Con, which happened in May at UCSB. It features many contributors to The Feminist Porn Book: The Politics of Producing Pleasure, including UCSB professors Constance Penley, Celine Parreñas Shimizu, and Mireille Miller-Young, Professor Kevin Heffernan of Southern Methodist University, directors Tristan Taormino and Carlos Batts, and performers Jiz Lee, Dylan Ryan, Sinnamon Love, and April Flores. Watch it now: Feminist Porn Mini Con on UCTV.

Oct 182013
 

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“Kinky Film Festival” Invites Filmmakers to Submit Sex-Positive, Kink-Friendly Entries for 11th Annual Event!

CineKink has announced a call for entries for its 2014 season. The “kinky film festival” is seeking films and videos, of any length and genre, that explore and celebrate a wide diversity of sexuality.

Dedicated to the recognition and encouragement of sex-positive and kink-friendly depictions in film and television, CineKink is looking to blur boundaries and will consider offerings drawn from both Hollywood and beyond, with works ranging from documentary to drama, camp comedy to artsy experimental, mildly spicy to quite explicit – and everything in between.

Cutting across orientations, topics covered at CineKink have included, but are by no means limited to, BDSM, leather and fetish, swinging, non-monogamy and polyamory, roleplay, gender bending, sex work and sex geekery.

Submission categories include:
* shorts (less than 40 minutes long; eligible for jury-determined awards)
* features (longer than 40 minutes; eligible for audience-choice awards)
* adult cinema / porn excerpts (10-25 minute segments of longer works; eligible for ‘Bring It!’ showcase)

There is no restriction on production completion dates, as long as the work is completed at the time of submission. International submissions in most overseas formats are also accepted.

“Basically, as long as it involves consenting adults, just about anything that celebrates sex as a right of self expression is fair game,” says Lisa Vandever, CineKink co-founder and director. “Far be it from us to define ‘kink’ – if you think your work might make sense in this context, please send it to us for consideration.”

Scheduled for its 11th annual appearance in February 2014, the specially-curated CineKink NYC, the organization’s flagship festival, will feature a short film competition, audience choice awards, an adult entertainment showcase/contest, a gala kick-off event, and a sexy closing-night party. A national tour will follow the New York festivities, drawing from its programming to showcase award-winners and audience favorites in cities across the country, adding visibility nationwide and year-round. The 2013 CineKink Festival Tour is currently underway, with screenings scheduled in such cities as Portland, San Francisco, Austin, Chicago, Las Vegas, Los Angeles, Berlin, and more.

The deadline is November 15th. The final festival deadline is December 6th.

For more information and details on entry submissions, visit http://cinekink.com/programs-and-events/call-for-entries

Sep 202013
 
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Skin Diamond and Derrick Pierce from my new movie, Tristan Taormino’s Guide to Bondage for Couples

Recently, three adult industry performers tested positive for HIV, and there are unconfirmed, conflicting reports that there may be other performers who’ve tested positive. My heart goes out to all of them because it’s a life-changing diagnosis. I’m not interested in debating whether they contracted it on or off set, and I’m dismayed that people within the industry continue to engage in assumptions and finger-pointing about the now HIV positive performers. The important thing is that in the (albeit short) window of time between contracting the virus and receiving a positive test, they could have exposed other performers. These revelations—along with the recent syphilis scare and rumors that a male performer with Hepatitis C has been working without disclosing his status—have once again stimulated the public discussion about condoms in porn. These events, along with feedback from performers who said they’ve felt pressured not to use condoms in the past out of fear of losing work, have caused me to rethink my position.

From now on, I will require all performers I work with to test for STIs according to industry standards[1] and to use condoms in their scenes. Until now, I have adhered to industry standard STI testing and my sets have been condom optional, which, for me means that performers truly can choose to use condoms or not and I always have condoms available. I’ve shot several scenes with condoms (and other safer sex barriers), but the majority of the scenes have been condom-free. Because I want to empower performers to make decisions about all aspects of the work they do, I have respected their decisions in the past not to use condoms. I still want performers to have choices, and they can choose not to work with me if they don’t want to use condoms.

As a feminist pornographer, part of my mission is to support fair labor practices and create a positive work environment on my sets. The health, well being, and safety of the performers is my priority, and I believe that using condoms in addition to rigorous testing is the best way to prevent STI transmission. In the past, I have publicly spoken out against Measure B (as in this piece for The Huffington Post). I am still against mandatory condoms and government regulation of the adult industry. I still believe that the current fight is all about politics, not workers’ safety and rights. But my position on the use of condoms in my own productions has changed. I am not leveling judgment against producers, directors, or performers who choose not to use condoms. I am making the best decision I can based on my dedication to feminist and ethical production practices.

Condoms are not the only answer and not without issues. Performer, registered nurse, and activist Nina Hartley gives a compelling argument about why she believes that condoms can do more harm than good (briefly: she argues that condom use on porn sets causes “condom rash” leading to internal tissue damage that could increase the chances of STI transmission). Condoms don’t protect against every STI including herpes, chlamydia, and HPV, but they are an effective barrier for others STIs including HIV. Some people have latex allergies or sensitivities, and some can develop an allergy after repeated exposure to latex. There are several non-latex condoms, which many people report don’t have the same abrasive qualities as latex. Unfortunately, these alternatives don’t come in the range of sizes that latex condoms do, and, let’s face it, one-size-fits-most doesn’t apply to porn guys. I have always consulted with performers about what I can do to make their job safer and better. I will do the same when it comes to working with condoms. I will strive to find creative ways to decrease the amount of intercourse they have, thus decreasing wear and tear on their bodies (especially the bodies of female performers). I will consider requests by fluid-bonded couples who don’t want to use condoms. I will be a part of an open and ongoing dialogue and adapt as testing technology changes and safer sex practices evolve.

Safer sex issues have been a part of my professional life since I became a sex educator. But the news of HIV in the industry has a very personal dimension for me. My father, a gay man, was diagnosed with AIDS in 1993, and he died in 1995. That was before the good drugs, the cocktail, when AIDS was a death sentence. This hits far too close to home for me, and I’ve got to make a change as a result. Plenty of people say that no one wants to see condoms in porn. That no one cares about the safety of the people who make the images they masturbate to. I hope to prove them wrong, and I hope you, my audience, will help me do it.

P.S. On this subject, I’m quoted in this piece by Senior Medical Correspondent Elizabeth Cohen on CNN.

 

*   *   *   *   *

 

Because this is ultimately about the sex workers, their bodies, and their labor, I think it’s important to feature their voices in this discussion. This week, I publicly asked performers to anonymously respond to this question: If the choice was entirely yours—not a mandate, not law, not what viewers want, just completely up to you—would you use condoms when you perform? Why or why not? Here are some of their responses. Some of them have been edited and excerpted for length.

“Perhaps I was delusional, but there was a time where I really trusted everyone in porn. I thought we all had this secret handshake, like none of us would ever jeopardize each other’s health and we all agreed to the same code of conduct off camera. I will admit I was pretty sexually irresponsible before porn; I had a lot of partners and I rarely used condoms. Once I started doing porn, all of that behavior stopped. I knew I couldn’t do that anymore because I didn’t just have to think about myself anymore. For some reason, I assumed everyone else was the same way. I felt really safe in the industry for a long time and if anyone were to ask me about using a condom on set I would have laughed, and said they would be uncomfortable and unnecessary. Condoms to me were things that you used if you were having a one night stand with someone you didn’t know—not things you used with people you knew and trusted. Unfortunately, I don’t feel that way anymore. I think condoms are necessary now. I wish it wasn’t that way but it is. I blame a lot of this on piracy. All the tube sites and the torrent sites have made all the studios make less money. A lot of people feel less inclined to adhere to a certain code of conduct, because they just aren’t working that much or they are working for less than what they want, etc. It’s a bad domino effect. I don’t love the state that porn is in at the moment and perhaps these HIV outbreaks were a good wake up call to anyone who is irresponsible, but I think we have to adapt with the times, and now, I think condoms are necessary.”

“I don’t think this question can be answered in a vacuum. If you were to ask me whether I prefer to have sex with condoms in general, the answer would be, ‘No.’ It’s not even the sensation. I don’t like the smell. That said, I’ve had plenty of condom sex. Prior to porn becoming a significant part of my life, I always used condoms. They were never a deterrent from sex. I feel like porn has allowed for condom-less sex as a sort of privilege. I’ve gotten used to it. It’s been over three years since I’ve had sex with someone who wasn’t a recently tested, industry performer. As a man who has sex almost exclusively as a top (at least in regards to who is penetrating who) at this point in his life, I’m honestly not too worried about contracting STIs like HIV or Hepatitis. However, I understand that my partners may feel differently. Women who do boy/girl scenes in straight porn (and men who bottom in gay porn) are at a higher risk of contracting non-curable, potentially life-threatening STIs like HIV. So I have to ask myself whether using condoms is going to benefit the industry as a whole. I don’t honestly know the answer to that question. The industry is in flux and many things have yet to play out. All I can say is that I’m happy to use condoms when it is an option and my partner feels safer with them. I don’t believe hot sex and barrier protection are mutually exclusive. However, I don’t see a direct correlation between a lack of barrier protection and the current problems plaguing the adult industry. STI exposure incidents will continue to put a hold on production regardless of whether condoms are used or not. It is my opinion that economic disruption of adult media is driving many performers to unregulated forms of sex work that put them at higher risk for contracting STIs. The testing system is doing its job to keep these performers—once infected—from re-entering the talent pool. It just so happens that major flaws were discovered in the system over the past six months. As a result, testing protocol has become increasingly strict. While the kinks are being worked out, I commend producers who will allow performers the option to use condoms.”

“I’m not interested in performing with condoms, though I occasionally do so, whether it’s my scene partner’s preference, the producer’s rule, or (rarely) because I don’t trust my partner’s lifestyle choices. In that case, or if she doesn’t seem well, or depending on the freshness of her test, I have requested condoms, and I have never experienced pushback from a director on my choice. All-natural sex on camera is more intimate, exciting and trust-based. That’s what I look for in a scene as a viewer and that’s what I try to create as an artist. I want to be a safe place for my scene partner to let her sexual instincts express themselves. With condoms there is literally something between us, and the instinctual fantasies are dulled. HIV is not a major concern for me. In 500-plus scenes, I have never contracted an STI, though I tend to shoot with established and/or professional, safety-conscious scene partners…We need standards. Agents and producers are betraying their talent when they promote performers who don’t respect the work we’re doing. I think performers doing privates/prostitution and heavy drug use is a far bigger issue than this current condom debate.”

“If the choice were completely mine, I would use a condom for EVERY scene/performance. I believe that it is safer for performers to use condoms, period. I do not accept the arguments put forth by FSC and other industry leaders/lawyers that condoms are more dangerous to a performer’s health. I do not accept that condoms being used in our industry would significantly hurt sales, in fact I believe it would benefit our industry’s image. The only reason I do not request condoms, outside of Kink.com or Wicked (who support condom use), is because I know I will not be rehired IF they even honor the request at the time. I have witnessed talent blacklisted by companies because the girl has asked to use a condom. I think it would be more responsible for our industry and our industry’s reputation to promote safe sex practices to the general public. Personally, I don’t feel that the anti-condom sentiment expressed by the industry reflects the true feelings of the performers, especially female performers.”

“If the choice was mine and when the choice is mine, I choose to use condoms. I still think testing is critical and that testing should be much more frequent.  An STI test that was taken the week of the production coupled with condoms and gloves would be ideal and would be closer to mirroring what I want from a new partner in my personal life. I think condoms can be sexy.  Safer sex can be sexy.  I want condoms and a test when I’m having sex with a partner on or off screen.  A couple of reasons play into this including greatly reducing risk of STI transmission, doing what I feel is necessary to protect my body, feeling confident and turned on by the fact that we are being healthy and aware of our bodies, feeling turned on by communicating, stating boundaries, and sticking to boundaries and limits that are set to protect both myself and my partners, and lastly feeling a certain obligation knowing that the sex I’m having will be viewed by others and that if I can make safer sex sexy then I can encourage the use of gloves and condoms (on cocks and toys) for the general viewing/porn consuming public.”

“My ideal situation is presenting a clear, basic STI test of 14 days, being able to communicate with my co-star about any other known sexual health concerns, AND the use of safer sex barriers such as condoms and gloves. I prefer testing AND condoms, and I want this preference to not only be the choice made by me and my co-star, but also be a choice that is fully supported by the production team. My experience with the majority of productions that were “okay” with condom use for heterosexual scenes have demonstrated to me that condom use is uncommon in porn at best, and discouraged/prevented at worse. I’ve shown up on sets where no condoms were available, and once a crew member offered one of his own, stored in the hot glove compartment of his car. (For obvious reasons, I immediately started bringing my own safer sex kit to shoots.) In queer/feminist-minded (what I’ll simply call “GOOD”) porn environments, condoms were not only allowed, not only encouraged, but actually SUPPLIED…Ultimately, how I shoot is up to me, yet I often have to compromise safer sex practices due to perceived marketability. It has always been a disappointment. I would appreciate the opportunity for myself—and anyone else—to work the way I want.”

“Most mainstream companies are not willing to allow performers to chose whether or not they use condoms in their scenes. Burning Angel has decided with all of the recent unfortunate happenings in the industry, that it should be at performers’ discretion as to whether or not they want to use condoms in their scenes…I am super appreciative that they have made this choice to benefit their performers’ health and safety at any cost. I feel that this choice demonstrates a lot of what I stand for in this industry, which is to promote boundaries, consent, and healthy sexual choices.”

“If the choice was entirely mine, I would not use condoms when I perform. Condoms and my vagina don’t get along so well. I always get very irritated internally after shooting a scene with a condom. From what I understand, this makes me more, not less, susceptible to STDs and infection.  Also, I don’t completely trust condoms to prevent STDs. Condoms break and fail. I would never have sex with someone, on or off camera, with just a condom and no test.”

“To me, the idea of using condoms—or not—is a very personal choice. When used correctly, condoms do lessen the spread of HIV and certain STIs, but they don’t protect against everything. While there are a select number of companies that will “allow” talent to use condoms (and one company that has been 100% condom ONLY for 14 years) many companies discourage the use of condoms because their sales will suffer. I also think it is VERY important to realize that no one entity can possibly be the voice for all performers and say that ALL talent wishes they were condom only. For example, even on a condom-only set, performers complain about having to use condoms and try to remove them during the softcore portion of the filming, citing discomfort for both players, as well as a struggle for the male performer to stay erect. I would like the choice to use condoms without the government mandating what I must do with my body while I am engaged in a very intimate act. I think that educating performers will be the key to enabling them to make informed decisions about their personal safety.”

“If the choice was completely up to me, I’d use condoms in porn with almost everyone, and use my discretion with the partner I’m fluid bonded to. Frankly, I’d *still* want to get tested, and have any sexual partners get tested (condoms break, after all); but hormonal birth control messes my body up and I’d rather use condoms as a form of barrier. Plus, I like to be an example to others and prove that safer sex can and is hot in the context of sexual experiences! I honestly find it sexy and want to demonstrate why on film so others can see that for themselves. I wouldn’t want to be forced to wear condoms without testing being required, which is what could happen, or have porn companies not hire me because I prefer to use condoms, which is what happens now. I’d prefer to make my own decisions.”



[1]Industry standards for testing are constantly evolving. Currently, a performer must test negative every 14 days or less for gonorrhea, chlamydia, Hepatitis A and B, syphilis, trichomoniasis, and HIV. The testing period was decreased from 30 days to 14 days just this week.

Sep 112013
 

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The all-female panel of Dutch TV channel Dusk! has chosen Petra Joy’s film ‘A Taste of Joy’ and especially the scene ‘Room Service’ to win the Porna Award 2013.

Petra Joy (born 1964 in Germany) is an award-winning German feminist film director, film producer, TV producer, distributor, author and photographer. She lives in Brighton, England. She is one of the pioneers of the movement to make pornography for women. Her genre is described as “art-core,” meaning the focus is on sexuality from the female perspective, female pleasure, and creative, sensual play.

Petra Joy’s latest erotic film A Taste Of Joy (2012) focuses on female pleasure and celebrates authentic lust with fresh performers turning existing porn stereotypes upside down and shows hot, creative and passionate sex. There is no boring dialogue or pump and grind sex but just beautifully shot sensual images, edited to music.

The Dusk! panel, over 2.000 women, did not have much words for the winner. A brief summary of their reactions; “WAUW”, “True porna, give me some of that room service, which hotel is that???” and “Jammieeee”.

The Dusk! Porna Award competition will start all over again in 2014. And here you will find the first video clip about the happening:

http://www.youtube.com/watch?v=TMH8eFOf8gc#

and on our Facebookpage you will find the first pictures:
http://www.facebook.com/DuskTVChannel

More will follow on our website: http://www.dusk-tv.com

About Dusk!

Dusk!, the first and only adult TV channel for a female audience, can be found on the platforms of cable operators in Europe. More information and program line up can be found at www.dusk-tv.com.

Dusk! is a service of 2GrapesMedia BV, an international supplier of digital content services.

Aug 212013
 

We featured a bunch of fantastic bondage toys in my latest instructional movie Tristan Taormino’s Guide to Bondage for Couples, and I’ve compiled a guide to all the toys by scene, complete with links to the exact products as well as similar items and some of my favorites.

Scene 1: Samantha Ryan and Michael Vegas

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Sex & Mischief Grey Tie
Also fun: Experimental Kink Kit

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Bondage Tape

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The Original Magic Wand Vibrator

Scene 2: Adrianna Luna and James Deen

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Bondage cuffs from the Sportsheets Sexy Slave Kit

More options: Cuff Love, Tethers & Leopard Restraints
Bound to Please Leather Collar
Sex and Mischief Red Restraint Kit

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Sportsheets Under the Bed Restraint System

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Sex & Mischief Sex Sling

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Natural Contours Superbe Vibrator

Two of my favorite vibes: Laya Vibrator and We-Vibe Touch


Scene 3: Skin Diamond and Derrick Pierce

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Blindfold and bondage cuffs from the Sportsheets Sexy Slave Kit
More options: Our First Bondage Kit, Cuff Love, Tethers & Leopard Restraints

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Sweet Lips Candy Ball Gag
Actual one we used: Pipedream Candy Ball Gag

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Deluxe Fantasy Door Swing
And don’t forget Skin’s favorite vibe: The Original Magic Wand Vibrator

Scene 4: India Summer and Danny Wylde

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Sportsheets Door Jam Cuffs

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Submit to Me Beginners Bondage Kit
purple silk scarves we used: Black Rose Silky Surrender

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Fetish Fantasy Spinning Swing
and don’t forget: The Original Magic Wand Vibrator

 TT-BONDAGE(1)

Aug 052013
 

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The last time I shot India Summer was for The Expert Guide to Threesomes, although she also appears in the photos in my book The Secrets of Great G-Spot Orgasms and Female Ejaculation, shot by the wonderful photographer Holly Randall. I was looking forward to working with India again in Tristan Taormino’s Guide to Bondage for Couples, since she has one of the best attitudes in porn; she truly loves sex and her job. She was paired with Danny Wylde, who was so stellar in Tristan Taormino’s Guide to Kinky Sex for Couples with Lyla Storm.

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The scene begins in a doorway, where Danny has tied up India with door jam cuffs and has his head buried between her legs. After a hot orgasm, India turns the tables, and puts Danny in the very same bondage he put her in. She returns the favor with a sloppy blow job. That’s right folks, it’s a switch scene! Switch scenes, where the dominant/submissive roles are fluid and shift, are still too rare in porn movies, and I want to see more of them, so I am glad I included one in this movie. On the couch in the living room, they used purple silky scarves and took turns tying each other up.

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At one point, we took a break to replace a camera battery and India was on top grinding into Danny. Just before the cameras started rolling again, Danny turned to her and said, “Can you do more of that?” These are the moments I just love (and wish I could capture on camera, sometimes I do, sometimes I don’t, it’s the nature of porno). It was genuine and sexy as hell to see Danny turned on and asking for more.

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Their scene culminates in the Fetish Fantasy Spinning Swing which was suspended from a steel bondage frame (many thanks to Stockroom for a major hook up to get this in time at a reasonable price). This is a pretty elaborate swing that hangs from a single suspension point with a bungee cord that gives it lots of bounce. It took a little time for India and Danny to get the hang of it but they had a lot of fun having her suspended in mid air.

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