This Friday we have a special encore presentation on Sex Out Loud of one of our most popular episodes, featuring Mollena Williams. Mollena Williams is simply one of the most intelligent and articulate BDSM educators of her generation, and we get to spend the entire hour picking her perverted brain! We will talk about the two chapters on roleplay she wrote for my book The Ultimate Guide to Kink: BDSM, Role Play and the Erotic Edge. She’ll explain the complex elements of race play, where kinky people play out racist scenarios, use racial epithets, or eroticize racial power dynamics. Mollena will reveal why she is turned on by this controversial kink and other kinds of taboo fantasies. Plus, I’ll ask her about what it’s like to be a woman of color who enjoys being a submissive and a collared slave. Read all about Mollena Williams below, including a list of appearances in the next few months.
This “Delicate, Trembling Flower of Submission” © is a NYC born and raised writer, actress, BDSM Educator, Storyteller and an Award-Winning Executive Pervert. She is extremely proud to have served as International Ms Leather 2010. She is also thrilled to have been named Ms. San Francisco Leather 2009 after that contest’s decade long slumber.
She is deeply honored and profoundly humbled to have been selected to receive the 2012 Jack McGeorge Award for Excellence in Education by Black Rose, and is thrilled to have won the National Leather Association’s 2012 Cynthia Slater Non-Fiction Article Award. She was a finalist for the 21st annual Pantheon of Leather’s Woman of the Year & Northern California Regional Awards. You can watch her being interviewed for the Women’s Leather History Project, as curated by the Leather Archives and Museum.
Her latest project, co-authored with Lee Harrington, “Playing Well With Others: Your Guide to Discovering, Exploring and Navigating the Kink, Leather and BDSM Communities” hits the streets September 1, 2012. She is the author of the “Toybag Gude: Taboo Play.” Her essays appear in 2 anthologies curated by Rachel Kramer Bussel: “BDSM and Race Play” appears in “Best Sex Writing 2010,” (you can read the Jezebel review here!) and “Kiss my Boots” is featured in “The Lust Chronicles.” Her challenging essay on “race play” is featured in“Spirit of Desire: Personal Journeys in Sacred Kink” edited by Lee Harrington. Not one but two essays commissioned by Tristan Taormino appear in the groundbreaking anthology “The Ultimate Guide to Kinky Sex.” Mollena is pleased and delighted to be a featured educator with The Kink Academy, where you can see clips of her speaking on various and sundry topics! She is also a columnist for SexIs Magazine, where she lets loose twice a month on just about anything.
Exploring kink since 1993, active in BDSM and the Leather Community since 1996, and presenting classes since 1998, she speaks at Leather, BDSM and Kink events across the US, Europe and Canada on many Leather and BDSM focused topics. She also brings the knowledge on Kink, BDSM and Leather to such august institutions of higher learning as SF State and Cal State, Harvard, Princeton,Yale, Stamford, and Brown for IvyQ. She has been invited to present this fall for MIT.
Mollena’s been sober since 3-14-2007 and in December that same year, she founded “Safeword,” a 12-step based recovery group for all kinksters seeking recovery from addiction.
International Ms Leather 2010 was truly an international title year with visits to the Pride Festival in Stockholm, Sweden, where she made history as the first Leatherwoman ever invited to march with the venerable Scandinavian Leathermen’s Association! She’s also done her thing in Dublin, Ireland, Berlin, Germany, the UK: toured Amsterdam, Netherlands for Leather Pride, as well as teaching and performing in Vancouver, Canada. A roll-up of her epic IMsL 2010 title year can be found here!
Her background includes a lifetime of training and involvement in the performing arts, which include spoken word, classical theater, dance, performance art, and all manner of stagecraft. Performing
As a model, Mollena has been featured on the Folsom Street Fair 2010 Poster, as well as modeling for Stormy Leather. She has worked with many well-known and renowned kink, Leather and fetish photographers, including Stacie Joy, Laren Leland, Aeric Meredith-Goujon, Melvin Moten, Don Sir and Michele Serchuk: who’s photograph of Mollena posing with fellow educator Graydancer was featured in the Seattle Erotic Arts Festival 2010.
She is chuffed to have been interviewed for the Leather Archives & Museum’s Women’s Leather History Project. Recent interviews with Mo can be found on Jezebel and on Princeton University’s Equal Writes website. You can also read her 2010 interview with SexisIs Magazine. She was featured in a groundbreaking interview at TheGrio.com on BDSM and race, and also interviewed by Sharon Glassman for the Huffington Post. Her work’s also been published by the Society Of Janus Newsletter, The Eulenspiegel Society’s magazine, Prometheus, as well as the online magazine at ALT.COM and Bondage.com. She has been interviewed for The Bottoming Book, ColorLines Magazine, Bitch Magazine, Abiola Abrams: Love, Sex & Dasting, The Playboy Advisor, Sexploration with Monika and The Reverend Mel Show, SexIs Magazine, The Huffington Post, Jezebel and Racialiciou
A founding member of Crowded Fire Theater Company, and former co-host of San Francisco’s Queer Open Mic, Mo blogs on http://mollena.com. Her blog, The Perverted Negress, has been a featured blog on Fleshbot (not Once but TWICE!) as well as the pick of the week for The Sugasm. And boy howdy, the venerated Jane’s Guide thinks The Perverted Negress’ Blog is pretty rad! Mollena is also a member of Mama’s Leather Family (#1231) , formally dubbed “Mama’s Perverted Negress” and pinned in at the SF Eagle by Mama Sandy Reinhardt herself. She Twitters incessantly over on http://twitter.com/mollena, so follow her there!








This week’s episode of
Jennifer Lyon Bell is a Harvard-educated erotic film director and curator living in Amsterdam. For her independent production company Blue Artichoke Films, she writes and directs explicit erotic films combining authentic sex and arthouse values. They have screened all over the world at international festivals and cinemas in America, Europe, and Japan, and have won awards at both erotic film festivals and regular film festivals. Her arty erotic documentary “Headshot” screened at the Cannes Short Film Corner and London ICA (Institute of Contemporary Arts) where it was shown as part of the Destricted Shorts film series judged by artist/filmmaker Larry Clark. Her explicitly erotic fiction film “Matinée” has won three Best Film awards including one from the Melbourne Underground Film Festival which it won by jury prize even though the film was technically banned from the festival by the Australian Classification Board for its sexual content. Finally, her most recent film collaboration, the music-driven documentary “Skin. Like. Sun.” (Des Jours Plus Belles Que La Nuit) won the prize for Best Direction at Toronto’s renowned Feminist Porn Awards. She is finishing two new films, an intensely fiction trilogy called “Silver Shoes” and a real-life explicitly erotic BDSM documentary following the true story of a young Dutch feminist coming out as a submissive. In addition to being a film director, she curates erotic-themed film programs and exhibitions for museums, arts institutions, and festivals including The Museum of Sex in New York, Ladyfest, Pinched: Sex Love and Countercultures, and the San Francisco Indie Erotic Film Festival, and she was a co-organizer of the Amsterdam Alternative Erotica Film Festival. She also gives lectures and leads workshops on erotica, porn, feminism, and film theory at institutions from the Dutch Film Academy to the Berlin Porn Film Festival.
Marit Östberg is from Stockholm, Sweden, currently living in Berlin. Since making her debut as a porn-film director in the acclaimed porn compilation Dirty Diaries, Marit Östberg has continued to produce porn. She has become a part of the queer feminist porn scene that has evolved in Europe in recent years, directing and acting in work that pushes ideas of who and what porn might be for.
Ingrid Ryberg is a teacher and postdoctoral fellow at the Department of Media Studies, Stockholm University. She completed her doctoral thesis,
sexually arousing experience for me. At the end of my degree I decided I wanted to continue making porn but wished to do it as a producer and a performer. I became slightly notorious in Melbourne, Australia in 2007 and 2009 for criticizing AbbyWinters.com, a website I contributed to as an adult performer. I had written a blog outing ‘Abby Winters’ as a male owned and operated adult website pretending to be owned and operated by the fictitious female ‘Abby Winters’. I also criticized them for knowingly giving false information during recruitment interviews of amateur models. Unfortunately the mainstream conservative Australian press picked up my blog critique after being contacted by a number of disgruntled ex-AbbyWinters staff members who felt unhappy about company practices and policies but wished to remain anonymous. My comments and images were used to pad out the article. The Herald Sun, the paper that pursued the campaign against AbbyWinters.com for two years, also alerted authorities that porn was being produced in Melbourne. Up until this time I was unaware that the production of adult content was illegal in Australia, having never been informed that was the case by any of the Australian producers I had worked for. I am ardently anti-censorship and I oppose all laws that prohibit adult consensual sexuality, whether private or commercial. However, I feel that staff and performers should have been made aware of the legal status that the management and producers of AbbyWinters.com and the Feck sites were privy to at the time of recruitment. I firmly believe that with regard to working in the adult industry there must be an onus on producers to take on a duty of care toward employees and contributors that ensures all those working for them have made a fully informed choice before doing so. The rift between AbbyWinters.com and myself has since been reconciled though unfortunately the scrutiny of the press at that time forced them to move their company overseas to Amsterdam. I hope they return to Australia in the future and assist in a campaign for reform of the current legislation. As a committed voyeur I love to watch and as a confirmed exhibitionist I also love to show. As you can imagine producer/performer seemed the obvious option. On 25th December 2010 I started my own adult website
Abraham Castillo graduated as a filmmaker from SVA where he received the Dusty Award and the Directors Guild of America award for Best Latin Student Filmmaker in 1998. Director, Editor and programmer he is now lives in Mexico City and dedicates his time to editing films, teaching and as Programer of MORBIDO International Film Festival of Horror, Fantasy & Science Fiction Films. In 2012 he collaborated with Marianna Palerm, founder and director of LA MIRADA FEMENINA, Mexico’s first film festival dedicated to the promotion, study and discussion of porn films directed by women. He is convinced that working and watching films on extreme sides of the spectrum (Eros & Thanatos) keeps him sane and healthy.
debuted in 1999 to favorable reviews in ID (Industrial Design) Magazine, Mademoiselle and Glamour, to name a few, and quickly became best-sellers in women’s mainstream health catalogs. Drugstore.com launched its sexual wellness range with the Natural Contours® line and Holland’s leading drug store chain, ETOS, features the line as part of its family planning outreach. In October ’04 Royalle authored her first book, “How to Tell a Naked Man What to Do”, published in the US by Simon & Schuster/Fireside, and in the UK by Piatkus Press. The paperback was published in February ’06. Royalle recently created a new line of “ethnic erotica for couples” called Femme Chocolat® in order to provide high quality intelligent erotica for the largely underserved market of ethnic women and couples. She is now moving on to the role of mentoring young new female directors so that they may continue the Femme line while expressing their own visions and ideas. What makes Ms. Royalle’s story particularly interesting is her rich and varied background. The daughter of an accomplished professional jazz drummer, she trained and performed in music, dance and art, having attended New York’s High School of Art and Design, Parsons School of Design, and the City University of New York, where she was active in the women’s movement of the late ’60’s and early ’70’s. In San Francisco she got involved with some of the original members of the infamous Cockettes including the late Divine to create avant garde jazz and theater productions. In ’74, looking to finance her unconventional lifestyle, she entered the world of erotica as an actress, performing in about twenty-five adult feature films. She returned to her native New York City in 1980 and stepped behind the camera to create Femme Productions® in 1984. Since then she has been a guest on numerous news and talk shows from Anderson Cooper to Dateline NBC, and has been written up in countless magazines and newspapers from The New York Times, Time Magazine and The London Times to Glamour and Marie Claire. Candida Royalle is a member of the American Association of Sex Educators, Counselors and Therapists, (AASECT) and a founding Board member of Feminists for Free Expression (FFE). For more about Candida Royalle and her products visit her web site at:

Stephen Elliott is the author of seven books including the memoir The Adderall Diaries and the novel Happy Baby. He founded the online literary magazine
Along with Stephen Elliot, she is the cowriter of the independent film About Cherry, which premiered at the Berlin International Film Festival and will be in theaters in September, 2012. She has toured nationally with the Sex Workers’ Art Show, is an alumni of the RADAR Lab, and is a Literary Death Match Champion. She writes with playwright and performer Erin Markey for the blog I Deserve This, readable at 

Dylan Ryan